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Buried Treasure

July 28, 2019 4 Comments

Last year I wrote a post about a quilt my friend Eileen made for her husband Ken (to read that post click here). It was a traditional bear’s paw pattern done with a fun, new technique.

This past week she came to class with a vintage family quilt top and it’s story:

“Ken grew up in Kentucky and his mom was a quilter. In her later life she became ill with cancer and moved in with Ken and Eileen in Wisconsin so they could take care of her. While she was with them she continued to make quilts. After she died, another relative was allowed to live in her house in Kentucky (for 15 years after her passing!). Recently, Ken took ownership of his mother’s home and, as he and Eileen went through they found a quilt top they didn’t know existed, buried in a bag of material in a closet.”

What a coincidence – it’s another bears paw!

Eileen was quite excited to find this treasure and brought it back to Wisconsin to wash it – and now she wants to finish it.

She brought it to Open Lab this past week and we were all intrigued by the “fussy cut” stripe used in the sashing and border.

Then we noticed that all three of the fabrics used for the paws was the same print in a different color way. It’s quite an interesting print and I was wondering if anyone out there has an idea of what decade this fabric is from. If you have any information to share, please comment to this post.

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And thanks to everyone who left a comment on last week’s post about the cutter quilts. I found your stories such fun to read!

If you missed those comments – click here – and then scroll down to the bottom of last week’s post!

Cut a Quilt?

July 21, 2019 5 Comments

I love quilts. I especially love old quilts – and they don’t need to be museum quality. As many of you may know I have a lecture about my “less than pristine” collection of quilts I call But I Still Love You. I also have 3 other vintage quilt/clothing lectures – and you can read about them on the classes page of my website. Click here to see them all!

Sadly, I occasionally come across a quilt that is in such bad shape, it is unusable.

These are often called “Cutter Quilts” and some crafters will cut them up and make something new from them. This used to make me sad, but over the years I’ve come to believe that it’s better to make them into something new and lovely, or even useful, than have them sit in a box or be thrown away. I am very much against cutting up vintage quilts – unless there is really no hope for them.

Many years ago I made this teddy bear from an embroidered quilt I purchased at an auction. Most of the embroidery had been worn away, so I salvaged the best parts.

I used to participate in craft fairs and one of the friends I shared a booth with made old world santas from tattered quilts. Anita hand stitched the faces and embellished them in unique ways. I had to buy one:

By our next craft fair I was making crazy quilted coats for her santas, we split the profits and they were a hit. I was happy because I was still a “non-cutter quilt purist” at that time and it stopped her from cutting quilts apart.

I think the incident that changed my mind on this topic came about way back when I first began teaching quilting at Madison Area Technical College. I had a delightful woman in my weekly class who was a bit quirky. She lived out on a farm and decorated it with tattered quilts, pigs and anything purple.

Sadly, she came to class one day to say that her husband had run off with another woman and left her with his debt. She needed to have an auction and, through tears, invited all of us to come and give her treasures good homes. I was happy to oblige. I still have a number of her ceramic and wooden pigs in my kitchen. I bought two of her quilts and they were in very bad condition. So I stuffed them in a closet and tried to forget about them.

A few weeks later I was thinking about what I could do to cheer Jeanine up. I decided making a pig out of the tattered quilt with the purple ties would be the best use of that quilt. I cut out the good parts, lined the ears with purple and wrapped it up to bring to class.

She cried – but she loved it!

A while later Jeanine came to class with a smile on her face. She had met a wonderful man. They got married, moved to Florida and had 2 beautiful little girls. Don’t you love a happy ending?

So, if you have a family heirloom, and it is really falling apart, giving it new life might be the right thing to do. Especially if it can be made into a number of smaller items and shared with family members who would appreciate it. Cutting it into smaller “chunks” and placing them in a shadow box or frame is a nice option. Making a number of small table toppers is also a good idea – or maybe Christmas stockings!

I did a bit of web surfing and absolutely loved the idea of placing a quilt piece inside an old window on Sadie Seasongoods website. To read this delightful story click here.

If you’re wondering how I came up with this blog topic – I recently received an email from a site called Jen Reviews. This is what it said:

“My name is Jess and I’m the Editor at Jen Reviews. I was doing some research and just finished reading your wonderful blog. I just published a beautiful cutter quilt snowman tutorial complete with step-by-step pictures and detailed instructions.”

I went to her site and her snowman made me smile. Click here to link to the instructions. 

Have you done something with a tattered quilt? Would you like to share? I’d love to hear all about it at:

Retire or Repair an Old Friend?

April 29, 2018 27 Comments

My mother taught me to sew when I was seven and we made many of our clothes during the subsequent years. Mom especially liked to make pajamas for us kids, while I enjoyed making the outfits I would be seen in. A few years ago I put together a lecture comparing some of my quilts with garments from my youth (yes! I still have many of them  😀 ). The lecture is called “Gone to the Dark Side”  and you can find information about it at https://chrisquilts.net/?p=4370

When I graduated from high school my parents gave me a brand new Sears Kenmore sewing machine.

I was thrilled! I decided my first project should be a quilt for my “hope chest”. I cut a 6″ square from cardboard and dug out all of the scraps from our sewing projects. There were cottons, denims, flannels, crepe d’chine, seersucker and even some wool! I traced around the cardboard on the wrong side of each scrap and cut out all the squares with a scissors. Once the squares were cut I laid them out in 9-patches (I didn’t know that’s what they were called then) and sewed them together.

I assembled these blocks into a top and it ended up being king sized. I couldn’t wait to use some of the fancy stitches on my machine (my mom’s old Singer didn’t have any of those), so I did a line of decorative stitching over the seams of all the blocks.

Once the top was finished I layered it with a sheet, and a sheet blanket for the filling, and sewed all the way around the outside – leaving an opening for turning; only to find out I’d layered it incorrectly (the sheet was on the inside). So I ripped it apart, sewed around, and turned once again. To finish I tied it with knots of 4 ply polyester yarn at the block corners. What a delight for the eyes!

Even though it’s pretty ugly (don’t you love oxymorons?), it’s kept Mike and me warm for 42 years!

But lately it’s showing it’s age. Many of the fabrics are just plain disintegrating.

The green wool from a vest I made shrunk up years ago, but that didn’t keep me from tossing it into the washing machine many, many times.

Yet the fabrics are filled with memories. The pink denim with doves above was used in my favorite pair of hip hugger, bell bottom jeans (just picture that – it was the 70’s). In the following photo the brown floral was a sundress, the light blue flannel was a nightgown of mine, and the purple with flowers was from an apron I made for my German “mother” when I did a class trip to Germany my junior year.

So… do I retire it to the actual cedar chest Mike bought me as an engagement gift (at the foot of the bed)? or ???

While taking these pictures I realized the worn blocks are all around the outer edge. Perhaps I need to remove the last row of squares all the way around, add a binding and use it for another 42 years. What do you think?

Friendship Quilts

September 4, 2016 1 Comment

As I said last week, I’m very excited about the new guild lecture I’m putting together. The idea began to form a few weeks ago when I was looking at the quilted tote my grandchildren use to transport library books.

French-Friendship-Tote
France autograph tote – front and back

It’s made from friendship blocks exchanged while on our Sew We Go riverboat cruise through France in 2008. It got me to thinking about all the wonderful friendship/autograph/signature quilts I’ve made or been given over the years. Like this one that was given to me by Common Threads quilt guild in thanks for my years as president (thanks Valeria!)

autograph quilt Common Threads

And then… what about that old top I made after collecting signature blocks at a family reunion in 1993? It was at the bottom of a UFO bin, along with a group picture from the party, already printed on muslin. It only needed a border to complete the top. I added one with Seminole piecing and it’s ready for quilting!

Lohse reunion 1993 quilt top-border 2016

Everyone who attended the reunion (including the kids) signed their block and many also drew or wrote something important to them on it.

This led to pondering about “that” vintage autograph quilt top I purchased a few years back. I pulled it out and enjoyed looking over all the signatures and wondering about it’s history. Who was Grandma Chapman? What’s the name of this lovely pattern?

Star-Bouquet-vintage-signature-quilt

I looked more closely to find other interesting signatures. Than I did some research to discover the pattern is called “star bouquet”. What fun!

Well, from there it was a short hop to checking out Buckboard Quilt’s website for signature quilts. I wasn’t disappointed! Judy makes every effort to get the story when she acquires a quilt, and she had some great stories!

Like one that has a block signed: mother 82, and the pattern is called Little Britches, or this one in which Judy included a copy of the obituary of the man in who’s estate the quilt was found.

gmas-favorite-or-double-fan

I’m having such a good time gathering the quilts and their stories. It’s requiring some detective work – which I’m enjoying immensely.

In the talk I’ll share old and new quilts, their stories, plus handouts with patterns for great autograph blocks to use in your next friendship quilt.

If you’d like to see more quilts and hear the stories, I’d love to visit your guild and share them all! Please direct the program people in your guild to this blog, and have them contact me! Thanks!!!

Crazy Quilts and Stevengraphs

May 8, 2016 3 Comments

In keeping with my recent crazy quilt post, I’d like to relate a story about a crazy quilt of my own:

In 2002 I had the privilege of purchasing a wonderful Crazy Quilt, circa 1885, from a dear lady in Illinois.

1885 Crazy Quilt

The owner was a woman named Vee and she related this history of the quilt to me: “It was found in an attic in the bungalow of Julius and Harriet (Lyons) Reed in Three Bridges, NJ after Etta (Harriet) had passed away in the 1970’s. Etta was Vees husband’s Aunt. They were originally from Davenport, IA. Julius was a soldier during the Spanish American war and he fought in Cuba. When he returned he went to New York and met Etta at church. They fell in love and lived in NY until Julius was drawn to a piece of property in New Jersey. Julius was a floor worker at Wanamaker’s Department Store in NY and they were quite poor, but he wanted this piece of property so badly that, as the family story goes, he met some Italians and did something for them – no one knows what – and they gave him enough money to buy the land. Julius then built the bungalow completely by hand. Etta was very good at decorating on a shoestring. Julius preceded Etta in death and after she passed away Vee and her husband went through the home and found little of value except for this crazy quilt which was in a box in the attic. They knew nothing else about the quilt, but Vee did mention that Julius did have very wealthy relatives in New York named Wentworth.”

Don’t you just love family stories and the unique details which are remembered?

Well, the quilt was stored well for all of it’s life, obviously never seeing the light of day for any length of time, so I wanted to get it appraised right away. While doing the appraisal, my friend Carol Butzke, commented that my quilt included a Stevengraph.

Crazy Quilt Stevengraph

I’d never heard of a Stevengraph and set out to learn more. In searching the internet I ran across a collector in England. I sent him the picture, and here is a portion of his response:

“Chris
Thank you for sending the image of your silk. It has come across very well, and I can confirm it is indeed a Stevengraph. When originally mounted, the title printed on the card mount was “The First Point”.
This is of course a scene of two hounds chasing a hare. The rider on horseback is the judge, and the person in red at the edge of the crowd is the person who has just released the hounds, called a ‘slipper’.
It is impossible to date your actual silk, as they were made continuously right up to the destruction of the factory in 1940.
Thomas Stevens, of Coventry, Great Britain created the word Stevengraph to describe his silk pictures. It has now been extended to include all such woven silk pictures, and even the bookmarks as well.
All silks fade very badly in day light, and deteriorate with light and dust. From the image you have sent me, if your actual silk is as bright coloured as the image, yours is in remarkably good condition. There is no fading, and no apparant damage. As an item of beauty, it now needs always to be part of the quilt of which it has become an intregal part.
I hope this gives you a flavour of your Stevengraph. Do take care of it and the rest of the quilt. Keep the silk out of as much light as you can and away from dust, and who knows, maybe it will last another 100 years.

Regards
Peter Daws”

I was thrilled to have this information!

Currently the Wisconsin Museum of Quilts and Fiber Arts in Cedarburg is hosting an exhibit of Stevengraphs!

WMQFA stevengraph

This is a portion of some additional information the Museum emailed concerning the exhibit:

Museum Stevengraph

“In 1862, Thomas Stevens, working in Coventry, England, had produced nine fascinating silk pictures of different designs and patented the word “Stevengraph” to refer to the pictures. They were an instant success. By the late 1880s, Stevens had produced 900 different designs on aspects of Victorian life.
Using another Stevens invention at the York Exhibition in 1879 – the portable loom, people attending saw their picture being woven before their eyes. The pictures sold in the thousands and over the years Stevens was awarded over 30 medals and diplomas for the pictures.
Stevengraphs vary in size from 1 1/4 by 4 inches for bookmarks to 7 1/2 by 13 inches for mounted pictures. Once sold for as little as 50 cents, they are prized today by collectors.
The heavy German bombings on Coventry in 1940 leveled his buildings and business. But appreciation of Stevengraphs lives on through collectors and exhibits like ours at the Wisconsin Museum of Quilts & Fiber Arts.”

 

I haven’t seen the exhibit yet, but I’m looking forward to visiting the museum soon!

WMQFA

Do you own any Stevengraphs, or have you any stories to tell?

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And one more thing! While in Paducah, Wendy mentioned that there was a large display wall at Frank’s Sewing Center in Waukesha, WI (the shop where she’s the assistant manager), and they were considering featuring quilts by a “Customer of the Month” there. I told her I thought it was a great idea, and she responded “Good, you can be first!”

fiber art at Franks Sewing Center in Waukesha, WIsconsin

So I’ve put up a display of my Parallelism and Concentricity quilts for the month of May. My book “Where Do I Start With Fiber Art” is available there also. It includes the techniques I’ve used in the quilts displayed.

I hope you have a chance to stop by!

Eureka! A Mariner’s Victory!

February 22, 2015 2 Comments

Two years ago I put together a lecture called Tradition With a Twist. In it I share antique quilts in traditional patterns, and the modern variations I’ve created. Collecting the antique quilts for the talk was a big part of the fun. By the time I presented thCompass-Capers-to-Die lecture for the first time I had found antique versions for all but one pattern – Mariner’s Compass. This was particularly frustrating because I’ve made so many unique Mariners variations – and even written a book about it!

 

Fast forward to this past January. Our life has taken a new direction because Mike retired on December 31st. This change has presented many new things to deal with, and one was to adjust our cell phone/internet plan. As many of you may know, there are tons of options out there, and it’s all so confusing! As a part of this adventure, we spent one night “trying out” a new WiFi possibility. In the midst of this Mike told me to just “surf the web” and see how the speed of the connection was (silly man 🙂 ). I don’t surf often, but when I do, it’s usually to try to find an antique Mariner’s Compass quilt in my price range (a seemingly hopeless plan). Well … a lovely quilt in white, orange and yellow popped up, and 12 hours later it was mine!!!

Vintage Mariner's Compass quilt

I’m thrilled! I had really wanted a medallion style Mariner’s quilt, and I love yellow and orange. But this one really tickled me – and here’s why!

Mariner’s Compass quilts tend to be rare because of the degree of difficulty involved in the traditional template method for piecing them. Those long skinny points require a lot of patience and skill. I didn’t get into making this pattern until I discovered that compasses could be made with paper piecing. This made accurate blocks attainable for average quilters.

MC vintage center

Now, look closely at the above picture of the central medallion from the quilt, and prepare to be impressed. Those points were not foundation pieced, they were not even template pieced… they were hand appliquéd!!! It’s a bit easier to see on this picture of one of the small corner compasses.

MC vintage detail

The quilt is hand quilted also. The stitches are not the finest I’ve ever seen, but they have kept the quilt together through much wear and numerous washings. Oh how I wish it could talk and tell me who made it and when. That’s why I’m always telling students to label their quilts!

So, would you like to see this quilt “in the cloth”?

TWT pub webI’ve been blessed with the wonderful opportunity to be one of the keynote speakers for University Days 2015, at the Wisconsin Museum of Quilts and Fiber Art in Cedarburg, WI. This event takes place May 1st and 2nd. I’ll be presenting Tradition With a Twist on Saturday morning at 9am. University Days is an exciting event with a lot of great activities. For all the information go to:  http://wiquiltmuseum.com/education/classes-workshops/university-days-2014

 

Then, on a personal note – Sommer has a new baby brother!!!

Trey Michael Kirsch was born this past Friday night, February 20th.

Trey and gma2-21 blog

Brad and Betsy (our son and daughter-in-law),Sommer Trey for blog are doing well. We’re all thrilled and Sommer loves her “bay brudder”.

Yo – Yo’s

January 11, 2015 3 Comments

Mike and I were out antiquing recently and I found an absolute treasure! We do a lot more looking than buying (our home is getting full), but occasionally I just can’t say “no”. Here’s the story:

Fabric Yo Yo’s have always been popular with quilters. In my collection I have 2 antique coverlets (they’re not called quilts because they do not have the traditional “3 layers, held together with stitches”). This first one is put together with “squares” framed with a purple “sashing”.

Antique Yo Yo coverlet

I love this piece. The placement of the yo yo’s is rather unique and the “grape” clusters look wonderful hanging down the sides of a bed.

The other one is quite different. I was looking for a vintage quilt with a dog on it for one of my lectures and this one barked right out at me:

YoYoDog

What makes it unique is that the yo yo’s are attached to a muslin back with tufts of wool yarn. The doggie is stuffed and has 3-D ears. They just don’t make em like this any more  😀 !

Clover came out with wonderful yo yo makers a few years ago and there was a big surge in popularity at that time. On our Sew We Go project, when we cruised through France, we used the yo yo maker to create a cluster of grapes on a quilter’s arm chair caddy.

yo yo armchair caddy grapes

It was Wendy’s idea … and very clever!

About ten years ago I adopted this clown from an antique store in Beaver Dam, Wisconsin. His body is all yo yo’s and I just couldn’t resist him. He’s been sitting on a shelf ever since.

yo yo boy

This brings me up to my latest find. A yo yo girl!

yo yo girl

Isn’t she delightful? I think all of her yo yo’s are made from men’s silk neckties, and where the clown has pom pom hands and feet – she has bells. I just knew they were perfect for each other!

yo yo couple

They now share a shelf in “Sommer’s room”, and they’re a sweet couple of yo-yo’s!

Do you have any unusual yo yo items? Please send me pictures – I’d love to share them.

And just a quick reminder – the Floss Frenzy challenge is due February 28th. Here in Wisconsin, we are enjoying the perfect weather for sitting and stitching under a cozy lap sized quilt! So you have over a month to do just that and send me a picture. Remember – there will be a blog quilt show of these pictures – with prizes!!!

 

 

A Pony Quilt – 18 Years in the Making!

August 30, 2014 2 Comments

This week I have exciting news to share – well, at least it’s exciting to me! A quilt I began over 17 years ago, and chose to hand quilt, is finished!

Let me tell you the story and then unveil the quilt :-).

Quite a few years ago my husband gave me a pattern for a civil war era hoop dress and the hoop skirt to go with it.  He had been at a Civil War reenactment, found these items, and thought I could make a costume to wear when I lecture. This was the inspiration for my first lecture about antique quilts entitled “But I Still Love You”.

Vintage Quilt Lecture by Chris Lynn Kirsch

In planning an introduction for this lecture I came up with an idea that required me to have a vintage dog quilt and a vintage pony quilt. I acquired the dog quilt shortly after coming up with the intro idea, but there were no pony quilts to be found. I had planned to give the lecture for my own guild, Patched Lives, first. So I did my intro and asked the ladies in my guild to imagine that they were looking at a pony quilt (ha!ha!).

A few days later I received an envelope in the mail from a guild friend (thanks, Johanna). She sent me a pattern for a carousel pony block and a note saying that perhaps I should make a pony quilt. What a great idea! I grabbed my small pile of vintage feed sacks and took them along to Paducah with me. That year Wendy, Jill, my Mom and I were all spending quilt week in Paducah together and I conned them into making pony blocks. They each chose the fabric they liked and hand buttonhole appliquéd a pony onto a piece of muslin.

pony blue pony green pony pink pony yellow

Upon arrival home I stitched the top together, bordering it with orphan bow tie blocks which were given to me by my friend Barb.

At that point I decided the quilt needed to be hand-quilted, but couldn’t talk my Paducah buddies into doing the quilting on their blocks. I enjoy hand-quilting in small increments, and typically worked on this crib sized piece while traveling to Paducah each year (Wendy never did give in and offer to help). This past April I actually did do quite a bit of the quilting during our AQS adventure, so I decided to take it along when Mike and I drove to Philadelphia last month. I really worked in earnest on that trip, because I could see a light at the end of the tunnel. It only took me one evening of quilting after our return to actually finish the quilting. Putting the binding on was a joy!

carousel pony quilt

I love it!

I used the corners of a vintage hanky for the saddles, the same black trim from my dress became the poles, and embroidery floss (go figure), was used for the tails. They’re adorned with a few old beads and buttons.

Do you have a quilt that has taken you over 18 years to go from start to finish? Would you like to share your story?

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This week I’ll be heading to Madison, WI for Quilt Expo! I’ve been blessed to teach there every year since the beginning. This year I’m doing “Sit and Sew’s” on free motion quilting, and lectures on many different ways to add circles to your quilts. It’s always a wonderful show. I hope to see some of you there!

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