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Last week I had a lovely time speaking and teaching for a guild in Rockford, IL. My friend Lori is the program person there, and it was such fun to spend time with her and the Sinnissippi Quilters. I especially enjoyed sharing my Silhouettes and Shadows lecture with them because the first quilt I show in the talk is my Lake Sinissippi quilt (note the shadows on the pier).

Rockford, IL, our home in Watertown, and my parent’s cottage are all located on a portion of the Rock River; the cottage portion being a dammed up area of the river that formed a lake back in 1845. I began to wonder why the Rockford version of the name was spelled differently from our lake. After an internet search I got my answers:
Sinnissippi in Rockford ~ The Rock River is a tributary of the Mississippi River, approximately 299 miles (481 km) long, in the U.S. states of Wisconsin and Illinois. The river was known as the Sinnissippi to the Sauk and Meskwaki peoples; the name means “rocky waters”.

Lake Sinissippi in Hustisford, WI ~ The lake was originally called “Cranberry Lake”, and then “Hustisford Mill Pond” and “Lake Hustisford.” Later, the name was changed to “Sinissippi”, from an Algonquin phrase, “sin sepe,” which means “lake-like river.”

Either way, it was fun to share this quilt with them. My other lecture was also well recieved, and they had a wonderful system set up for the lecture to be seen live and via Zoom.

The next day I had a fun group join me for my “Where Do I Start With Fiber Art” workshop. We had such a good time that I couldn’t resist doing a collage of each of them with their art in progress:

Thanks ladies!

Towards the end of the class, I did a demonstration on some of my beading techniques. As I was sharing my favorite one, I mentioned that it had been featured in an article in AQS magazine many years ago. I looked it up and, since I have a lot of new quilters on my blog, I thought it was time to repost it. I call it “Well Behaved Beads”! Here goes:

Trying to pick up tiny beads that are sitting on a table, with a tiny needle, which is tethered by a thread to your work, can be aggravating. Years ago I came up with a way to make those beads behave and have them a lot closer to my work surface. These techniques are included in my book “Where Do I Start With Fiber Art” along with other beading tricks and information (click here to purchase a copy of that book).

The magic tool is clear mailing tape! And it’s really quite simple:

When the Lord dropped this idea into my brain, I was working on a project that was using a mixture of beads. I decided to sprinkle the beads on my quilt, near the area I wanted to bead, and placed a 2″ length of mailing tape over the loose beads. This held them to the quilt so they couldn’t run away. Once my needle was threaded and I was ready to begin, I rolled the tape back onto itself so a few beads came to the top.

I was then able to touch the tip of the needle to the hole in a bead and – it hopped right on! I stitched it to the quilt and continued unrolling and beading until I was done, or I had to stop.

If I stopped before I was finished beading that area, I simply rolled the tape back down against the quilt to capture the loose beads and went about my business until it was time to bead again.

Hint: If it’s going to be more than a couple of hours before you get back to the beading, I recommend rubbing the beads off the tape and into a container as they will get sticky if left on the tape too long (ask me how I know 😊).

After beading in this fashion for a while, a new idea hit! I could use the tape to keep the beads behaving and precisely where they’re needed by wrapping the tape around my finger:

1.  Wrap a piece of mailing tape, sticky side out, around the forefinger of your non-dominant hand (i.e. left, if you’re right handed).

2.  Pour the beads you’re working with onto a flat surface and dip your taped finger into them.

3.  Knot your thread and bring it up through the quilt where the first bead needs to go, touch the tip of the needle to the hole in a bead and it will hop onto the needle. Stitch that bead to the quilt and repeat.

Voila! Beading can be done in the doctor’s office, at kid’s sporting events and even in a moving vehicle. One of the best advantages of this technique is that the beads are close to the work area and so, as the thread gets shorter, the beads are still easy to reach. Also, the tape tube can be pulled off your finger if you’re called away, and slipped back on when needed.

I hope you’ll give it a try! Please send comments or photos if you do.

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And one more thing…

Marie was in my class in Rockford and before I even had this post ready to go she sent me a photo of the FINISHED art quilt she made in class.

It’s always so much fun for me to see what a talented student does with the techniques from my classes. Great job Marie!

 

Recently the ThreadBenders had a small challenge that invited members to make a quilt using a word or words in some way. Whenever I take this type of challenge I like to come up with new ideas and try different techniques so that it becomes a learning experience. That was the case this time, so I didn’t use the Repliqué technique from my book, but rather I decided I would hand embroider my words. The question then became ~ which words??? As I often do, I prayed about it, asking the Lord for ideas that would honor Him. I’m never disappointed with this method 😊.

And what words came to me? The”Fruits of the Spirit” from Galatians 5:22-23. So I grabbed some fruity colored fabrics, wrote the words on them, and took them along to embroider while traveling to and home from Paducah.

A week before the challenge was due I decided I’d better make those words into something. Hmm. Well ~ fruit is often round, so I found my Perfect Circles™ templates and followed the included instructions. I’ve used a running stitch to gather fabric around a template before, but this method recommended “painting” the seam allowances of each circle with starch after gathering the seam allowance to the back, and then pressing with an iron to set the crease. It worked great!

Once they were made I wondered what I should do with them. Hanging them from a tree branch seemed pretty obvious. And what’s wrong with doing the obvious? I had a delightful fabric in my stash that was printed with Bible verses about love, and fusing the branches to it was simple enough. I pinned a few different arrangements to my design wall, adding leaves as I went.

The leaves were then fused in place, and the fruits were appliquéd with invisible thread and a very narrow zig-zag stitch. I set the machine with a 1 width and a 1 length,

making sure that the needle went into the background only on the right, and into the edge of the circle appliqué on the left.

Here’s a close up of the stitching. It almost looks as good as hand-appliqué.

After the fruits were attached I decided I wanted them to puff a little, and I had an idea for how to add a bit of trapunto. First I trimmed out the background fabric circle from behind an appliqué, 1/4″ from the stitching.

That became my pattern for cutting out a batting circle not quite 1/4″ wider than the circle.

This was tucked under the appliqué, and repeated for each circle.

Til they were all “stuffed”.

Now it was time to layer and quilt. Free motion quilting in the background around each circle made them puff nicely. And I had a lot of fun stitching veins into the leaves. A gradation fabric made for the perfect binding, and it was finished in time for the ThreadBenders meeting this month.

It was such fun veining the leaves.

And even more fun seeing what “words” my friends used in their quilts. To see those quilts please click here, and enjoy!

While in Janesville last month I met a delightful young woman and her grandmother. As I remember the story, Aria wanted to make a fabric book, and her grandmother was more than happy to help her. She wrote her story and then the stitching began.

During show and tell at the meeting her grandmother Char got up and told us about Aria, and that her book had won two ribbons at a local quilt show. Then… Aria read her book to us all. What a special experience! I was thrilled when she agreed to let me share it with all of you.

While reading she told us with a smirky smile that the the fact that her grandma Char taught her to sew, and she has a cat named Gizmo, had nothing to do with the story. Sew – here’s my favorite photo of the evening ~ Char and Aria together with her book!

I’m quite sure you’re all glad you read my post this week 😁! Thanks again Aria and Char! We can’t wait to see what you come up with next!

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Also…

In the Mariners Compass class the next day Cindy showed me some compasses she found on a free table at their guild and asked me what she should do with them.

WOW! They’re gorgeous! I suggested she make miniature compasses to place in the center of each ~ and she gave me a look I’m sure you all can imagine 🤣. I’m still noodling on it. Any suggestions???

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And one more thing…

Last week I was once again invited to hang my quilts at a local business for the Watertown Arts Council’s Art Walk on Tuesday May 28th. Mike helped me hang the quilts in the Main Street windows at Hafemeister’s Funeral Home on the 27th,

so I didn’t have photos to share until this week. It’s a lovely display space, but the etched windows aren’t great when it comes to taking photographs of what’s inside.

The quilts will be up until Tuesday of this week, so please stop by for a look if you’re in the area.

A while back I shared the sad news of my dear friend Evelyn’s passing. I enjoyed sharing stories of the fun we’ve had together over the years. If you’re new to my blog and you missed that post, please click here (when you go there you may have a deja vu moment because that previous post begins with this same photo 😊)

In February Evelyn’s daughter Gwen contacted me with the news of Evelyn’s passing, and we’ve been in sweet communication since then. Gwen asked me if I wanted any of Evelyn’s quilts, and she graciously offered to let me keep the quilt Evelyn and I made together ~ Intragalactic Journey (aka Out of the Bathtub). What a generous and wonderful gift!

Shortly after that conversation she texted me to ask if I’d like Evelyn’s collection of Quilt Sissies (a quilter’s version of Flat Stanley). I immediately said “yes”. In that previous post I shared the story of Evelyn’s Quiltilly and my Quiltina. After the ransom note adventure Evelyn made a second doll, and then she inherited her sister Hazel’s Quiltzilla when Hazel passed away. No one else would appreciate them like I would, and it was an exciting day when they arrived at my home.

As soon as the box was opened I took them down to my studio to be reacquainted with my Quiltina. They were so happy to see each other, and began playing around my sewing machine.

This quilters doll thing is contagious (and maybe getting a bit out of hand 🤣), but the story continues. Last year my friend Lori met Quiltina in Paducah. This year her own version, Scrappy Flat Florence, joined us. The two dolls became fast friends. After our lunch at Flamingo Row this year

Flat Florence (on the left) went missing. Lori searched our quarters to no avail. What a relief to find her hiding in one of Lori’s class bags at the convention center the following day.

 

 So much silly fun! And I thought this post would end here, but as I was packing up to teach in Janesville last week they all snuck into my suitcase. I had a wonderful time with this delightful guild, and the dolls were a big help while setting up for my lecture (just see if you can spot all 4).

And, as always, Evelyn’s Quiltilly kept clowning around:

But it is fun to have them travel with me.

They are a wonderful gift, and a fun way to keep Evelyn’s memory alive. I know she would love it!

PS The jacket I made with Evelyn for my trip to Japan (and posted about previously) has gone missing. I’m not sure where I left it, but it may have been when I shared my “Gone to the Dark Side” lecture in Endeavor, WI. If anyone has seen it please let me know.

For years I taught a class I called Spinstar. It was my version of a “Stack and Whack” pattern, and it was very popular.

Then my friend Ruth showed the Fiberistas how to make a different version of Stack and Whack called One Block Wonder, and ever since I’ve been hooked on making these fun blocks. In fact, one of my recent quilts was made for my friend’s new little one, Nathan (click here to read about that quilt). A few weeks ago I got to meet him and give him his quilt and book.

The technique Ruth taught for fussy cutting the triangles worked quite well. I decided to use it for a Spinstar baby quilt I’m currently making. It’s for my cousin’s daughter who’s expecting in June. The theme is woodland creatures. So, a few weeks ago, while on a trip to Portage, WI to visit our accountant, we stopped at the Welcome Home Sewing Center.

I posted about this great quilt shop in Portage last year (click here for that post), and I knew I wanted to return.

Diane and her staff are delightful! And her fabric selection is great. They were having a 10% off all fabrics sale while we were there plus ~ they had a special offer going on that is uniquely their own. It’s called “crack the wrap”. If you find a bolt you like that hasn’t been unwrapped yet. They will crack the plastic wrap and give you a discount depending on how many yards you buy. I couldn’t resist purchasing 3 yards of a beautiful turquoise floral, and I got a fourth yard free! What a wonderful deal!

I also found a sweet woodland animal print for the baby quilt, and some nice coordinating fabrics to go with it. None of these were in the wrapping, but two of them were the end of the bolt so I got 15% off! WooHoo!

My favorite part of making the spinstar blocks is laying out the identical triangle stacks to see the patterns they create.

By laying some of them on the different background fabrics I could determine which one to use.

Mike and I both preferred the blue. I began sewing the blocks together and was having trouble getting my seam allowance to be even. I don’t know if you’ve experienced this, but I’ve had it happen before and I remembered what to do. I’d been stitching something that required my open toe presser foot, but when I went back to precision piecing I needed to put the basic closed toe foot back on. That did the trick!

I finished the quilt in time for the shower, and I was pleased with the results.

I even found a sweet book to go with it at a Ladies Retreat I recently attended. The author had a table there, and I couldn’t resist her stories that teach lessons from the Bible!

I wrapped it all up and gifted it to Kirstin at her shower. Shortly thereafter she sent me this photograph of Arthur’s room:

I think she liked it 😊! I can’t wait to meet this new little one!

A few months back I posted about the book I purchased from Carla Klop while at her shop in Florida (click here to read that post). I was intrigued by her techniques, especially the one for Hunters star. I’ve made quite a few Hunters Star quilts using Deb Tucker’s technique, and even taught classes on it.

But this method looked even easier. So, I tried Carla’s way and was pleased. While in Birmingham England last August, I purchased a piece of fabric with VW buses on it. Our daughter-in-law likes them, so when I saw this fabric I couldn’t resist buying it, and the dark turquoise pin-dot to go with it.

I grabbed the rest of the fabrics from my stash, and jumped in. Carla’s way is to make framed square blocks, and then cut them three times diagonally (this shows the first 2 cuts):

The narrow middle units then have a triangle of the central square fabric added to them to make a larger triangle. This is repeated in a different colorway, and one of each of the resulting larger triangles are sewn together to make the hunters star block.

The leftover pieces make a fun border. If you want to try Carla’s technique for yourself, I highly recommend her book! She includes all the measurements to make them in many, many different sizes (click here to link to her site).

I loved making the blocks, but there was a problem. I ran out of the yellow dot fabrics (ugh).

So ~ I had to go shopping. Once I had additional coordinating fabric I took it along to Paducah and made more blocks. While there I decided I wanted to do something “outside of the box” with my new collection of blocks and VW bus fabric, but what?!? I had the start of an idea and laid it out on the floor in our flat in Paducah.

As I was making these blocks I realized my rotary blade needed changing (why do we wait so long?!) When I opened the container I discovered that I was down to the last of the ten blade pack, and the oil that the blades come covered with had turned to goo! I’d brought my Magna-dots™, so I placed the blade on the table and rubbed off the old oil with some fresh sewing machine oil on a swab.

The “now clean” blade was put into the handle and it worked great! I hope you found this tip helpful.

I must admit I didn’t have much time for stitching while in Paducah this year, with all the excitement of the show ~ and teaching. I wish I’d taken more photos of my classes, but I’m grateful to have snapped this one. All the students were such a joy!

Along with that pic, I found a few additional photos from the show that might interest you. Here are some I took after we’d taken down the quilts, and helped to roll the art quilts for shipping. These are views most people don’t get to see 😊. The first photo is of the miniatures we had the privilege of pinning into the cases:

And this is how it looked after the show. The quilts are out of the cases and boxed to ship home:

And the curtains are empty.

The show certainly comes down a lot faster than it goes up! And now for two parting images. The first is of a quilter wearing a different version of patch pants from the ones I made for my granddaughter (click here for that post).

And a closing image of Etcetera bubble tea.

Can’t wait for next year!

The quilts in Paducah were amazing! And you can view the top prize winners on the AQS website. They’ve shared most of the other winning quilts on their Facebook page as well. Each year, I like to share my favorites here ~ whether they won a ribbon or not 😊.

That being said, “A February’s Dream of Spring” by Laurie Tigner won the Best of Show. It is truly beautiful, but what I enjoyed the most was talking with Laurie about the making of her quilt. She is a sweet and very talented lady, and I enjoyed our conversation.

As I walked past this next quilt I heard Holly Lee Wilson say: “every time you finish a quilt you’re a winner!” She was standing next to her quilt “Richard’s Star”. I love her attitude!

It’s always special when the maker is there to talk about their quilt, especially since AQS no longer prints their stories in the show book. I had taken a photo of Kathy Tolbert’s quilt “Our Code” on a previous walk through. This time she was there and she said that her husband is a ham radio operator, and the colorful design in her quilt is Morse code for the lyrics to Ronnie Milsap’s song “Let’s Take the Long Way Around the World”. Wow – who knew Morse code could be so attractive?!?

There were quite a few pictorial quilts that captivated me. “City of Saints” by Jaimie Davis in fascinating. She put many famous structures from around the world together. From Big Ben to Neuschwanstein Castle, they can all now be found in one place!

“Path of Silence” by Mimi Ghaun-Young is a quiet “slice of place” (my words). I often am drawn to quilts like this, and her shading is spot on.

I loved the colors and design of “The Turning of the Wheel” by Pamela Trantham. Her attention to detail is delightful. Who would have thought to make each border different?

I found “Cabin on the Beach” by Mindy Skinner very interesting. Her log cabin blocks are made up of soft hues that wash together so gently that the overall petal quilting design almost overpowers the piecing. What a lovely effect.

“Melodeon” by Besty Vinegrad also used a creative effect. This time the overall look of the quilt is 3D because the values of the fabrics were changed in each visual column. Well done!

“LifeV” by Noriko Misawa created what I would call a broken line illusion by heavily quilting everything but the dark lines that “fracture” the quilt.

At first glance I thought “Kiwi Peel” by Ben Darby was just an orange peel quilt made up of solid colors. Then I realized that each arced piece was different from the others. So interesting.

Another quilt that used asymmetry and embroidery in a fascinating way was “Spring Dawn” by Yuko Murkami.

“Take a Bow” by Leslie Swearinger made me take a second look. What do you see? If you look closely it’s a ballerina with a 3D bun in her hair 🤔.

“Midnight Magic” by Joanne Baeth was very deserving of this ribbon. I had to get up close to discover the reflections were made with paint.

“Forest For the Trees” by Jane Zillmer is another quilt with amazing attention to detail.

“Blooming Bright” is a beautiful floral quilt by Pat Durbin. I don’t think she’s ever made a quilt I didn’t admire.

And of course there were many amazing traditional quilts. This was my favorite ~ “Bird in a Cherry Tree” by Rebecca Collis. Everything was done very well done.

The design and workmanship was so lovely on the quilt above. “Wild Rose” by Noriko Kido was just as well done, but veered a bit from the traditional in Noriko’s choice of background color. I loved it!

Arcadia Avenue by Clara Cartwright is a fun hexagon sampler that only uses solid fabrics!

And now for something completely different. I think “Retro Living” by Tami Graeber was one of my favorites. It is big – 91″ x 66″ – and such fun, especially if you lived during that time (my in-laws had that couch 🤣).

And just look at the fun color play in “Scrap Maze” by Anthony Bowman.

“Millefleur” by Jan Hutchinson is one of the most amazing whole cloth quilts I’ve seen ~ yes ~ whole cloth! The dark green fabric is covered with a myriad of colorful threads. Beautiful!

This whole cloth quilt with a very different feel was made by my friend Diana Fox. She dyed the background for “Deep Space Nebula”, and then covered it with spectacular free motion stitching.

Last year I stumbled into an art studio in Paducah and met 3 very talented artists (click here for that story). Diana was one of them. I found it again this year, and it was fun to get reacquainted with Diana, Beth and Donalee. They made a quilt together and entered it in this year’s show. It’s called “Whirling Dervish”, and they won a ribbon in the group quilt category. Congratulations ladies!

And now I’ll leave you with a smile. “Happiness” is a triptych by Kathy McNeil, and it is delightful!

What wonderful quilts!!!

We knew we had arrived last Sunday night when we drove over the Ohio River on the “flying geese” bridges.

The weather, the trees, and the singing birds were all beautiful.

The next morning Lori and I decided to take our teaching stuff over to the teacher’s room at the convention center for safe keeping until our classes began. The problem was ~ all 23 gates were in the flood wall because the water had been high. It’s been over 14 years since the show had to be moved at the last minute because the flood gates were put up (click here to read that post). You see ~ the quilt show is held at the Bill and Meredith Schroeder Convention Center which is on the wrong side of the flood wall!!!

The river was low enough at this point to have the show there, so we had to drive all the way around to the high end of the wall to get in. It would have been awful if all the traffic to the show had to get in this way. But AQS was working on it. So we unloaded our stuff and got it moved in.

Jeanette, Lori and I returned a few hours later to start hanging the quilts and pinning the miniatures into their cases. It was great fun as always, and it was especially delightful this year because Lori had three quilts in the show! Congrats dear friend.

We began by pinning the miniature quilts into their cases.

Then we finished helping to hang the small wall quilts. It was so exciting to see these wonderful works of art up close.

The next day, the day before the show opened, the city removed the four flood gates directly around the convention center. Hooray!

I was able to walk down by the river and, although it was high (just look at the trees “standing” in the water), the water was low enough to allow for these gates to be removed. What a blessing.

This also was the day that the newest mural to be painted on the inside of the flood wall was revealed. The mural project began in 2017 with Carol Bryer Fallert Gentry’s quilt “Corona II: Solar Eclipse” being the first one painted on the wall. The flag quilt on the far left, made by Melinda Bula was added a few years ago, and this year “The Cheyenne Has Been Closed” by Ian Berry was revealed.

Here it is close up. Ian’s work is all done using recycled denim clothing and glue – it’s not actually stitched (and of course this is a painted rendition of his work).

It is amazing! I met Ian in 2018 when AQS put up an exhibit of his work at the Spring show. Please click here to visit his site. I promise you’ll be blown away.

After visiting the quilts and vendors at Carson Park, Lori and I introduced Jeanette to Flamingo Row. We had a yummy lunch. Quiltina and her friend Flat Frances (Lori’s scrappy companion) joined in on the fun.

The following day the show began. I have quite a few quilts I’d like to share with you from the show, but there isn’t room enough in this week’s post. So I’d like to share some insights into the exhibits at the National Quilt Museum this week, and fill next week’s post with my favorite show quilts.

The main gallery in the museum was filled with many prize winning quilts from previous years. It is always a wonderful trip down memory lane for me, since I’ve seen the winning quilts in Paducah every year for the past 34 years. The one that I loved revisiting this year was Escapade by Libby Lehman. It won a first place ribbon here in 1993, and she was the quilter who really introduced the quilt world to thread painting. WOW!

My favorite miniature of the ones on display was Dancing at Netherfield by Judy Day. I believe the hexagons are 1/2″, and many of them ~ plus some of the ladies dresses in the border ~ are fussy cut. Beautiful!

The side galleries featured the work of two amazing quilt artists. In one was a very impressive exhibit of a group of quilts by Victoria Findley Wolfe. The quilts were huge and visually stunning.

I actually met Victoria when I taught for the Empire Quilters in New York City way back in 2013. My friend Maggi Gordon had moved there and invited me to tour the Metropolitan Museum of Art with a friend of hers ~ and that friend was Victoria. I was hoping to reconnect with her, but alas, she wasn’t there when I was. However, I thoroughly enjoyed her breathtaking exhibit.

In the opposite gallery were the quilts of Caryl Bryer Fallert Gentry. Caryl has been my favorite quilter and teacher since I first laid eyes on Corona II. Since then I’ve had the wonderful opportunity to take many of her classes, and stay with her when she lived in Paducah. It was so nice to see her and her work.

I’d never seen her first quilt before. A rail fence made from many different types of fabric (This man studied the quilt for so long while I attempted to photograph it, that I decided it would be best to keep him in it 😊).

Her style has definitely changed. I wish I could show you all of her work, but you can search the net for much of it. Caryl was the one to introduce the quilt world to “out of the box” free motion quilting. Just look at the stitching on this quilt! What an innovative mind!

And I want to leave you with my favorite quilt in the AQS Paducah 2025 show, just to give you a taste of some of the fascinating pieces I’ll be sharing next week. This quilt won Viewer’s Choice in the large quilt categories. It was made by Lorelai Kuecker who just turned 16. She also made her dress.

She is sweet, articulate, incredibly talented, and she and has her own sewing and longarm business. Amazing! Click here to visit her site. I met her the first day of the show and was so impressed. She said her mom doesn’t quilt. The next day I ran into them together and couldn’t resist a photo. I’m so grateful to have met them both.

AQS Quilt Week Paducah is such a spectacular event, filled with so much creativity and inspiration. I can’t wait to share more next week!