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Quilting a King

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As I begin to compose this post my scrappy diamond quilt top is complete and it’s ready for quilting. In the past I’ve quilted 2 king sized quilts on a domestic home sewing machine. Now that I have a HQ Sweet Sixteen mid-arm, I think it will be much more enjoyable 😁. Please join me on my “quilting a king” journey.

The first step: pin baste the quilt in a frame (in my husband’s shed).

In previous posts I’ve shared how to use this simple frame learned from my quilting teacher, Sharon Grieve Grinyer, way back in the late 80s. It requires four 10′ long 2″ x 2″ boards, four bar clamps, and four high back chairs to set it on. I first shared this step-by-step technique for basting in 2011 and, since many of you weren’t following my blog back then, you are welcome to click here to link to it!

Once the quilt is in the frame I safety pin the layers together and it’s ready for quilting.

But what design to use? I typically like to begin by straight line quilting in some sort of grid to hold everything together, and get rid of a lot of pins. Since I greatly dislike stitching in the ditch I like to look for other options. Eureka! The pattern for these blocks did away with this problem! Because the edges of the first two strips sewn to each foundation were aligned with the diagonal of the block, the seam was 1/4″ away from it. This allowed me to straight-line quilt the long diagonals, without being in the ditch! I did this part on my regular machine (I find long straight lines turn out better with feed dogs).

This next part I’ve shared before, but I feel it’s worth repeating: quilting long lines with the feed dogs up often causes puckers on the back of the quilt. My solution is what I call my 3 pin technique. I put the needle down at the start of my quilting line and place 3 pins perpendicular to the seam I’m about to sew.

I remove the pins as I stitch up to them, then repin the next portion. It may sound a bit tedious, but once I establish a rhythm, it’s a breeze and it results in no puckers!

After the quilt was gridded along the large diamonds, I moved to my mid-arm. Since this quilt is so scrappy, fancy free-motion quilting would probably not show, so I did what I often do – I asked myself “what would be fun?” The answer – ruler work!

Straight line quilting in all directions on a large quilt is extremely difficult on a domestic machine, since the quilt needs to be rotated through the small opening under the arm of the machine. By dropping the feed dogs and using rulers that problem is eliminated. It works especially well with the channel ruler from Four Paws Quilting. I set the ruler along the line I wish to quilt and, since it’s free-motion, I simply push the quilt and ruler along at an even rate as I stitch (don’t my colorful gloves get lost in the busy patchwork?).

When I get to a pivot point, the ruler is rotated without turning the quilt, and the process continues.

I’m very pleased with the two concentric diamonds I’ve sewn inside each gridded diamond (you’ll probably have to zoom in to see them) – and I’m truly enjoying every step of the process.

As I mentioned before, the quilt is so busy the quilting doesn’t show from the front. It’s easier to see the concentric diamonds from the back:

And last night we slept under it!!!

I’m very pleased with the results and Mike likes it too!

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One last thing – Lynn just sent me a photo of a string quilt she made and I couldn’t resist sharing it with you.

I’m really loving these scrappy quilts. Thanks Lynn!

Spicing Up Our Quilts

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Donna sent me the photo of her Lake Michigan quilt during the time I was posting about being inspired by the colors of nature. This is what she said:

“Here’s a quilt that I made inspired by Lake Michigan. Every time I looked at the lake there were all kinds of marvelous colors which always changed with the time of day or the season. I’d say to myself, I have fabric that color! (My favorite color is blue, go figure)
It’s called ‘Ode to the Many Colors of Lake Michigan’.”

What a spectacular work of art! I love the glow in the center. She then sent me a second email in which she mentioned an inner “border” she appliquéd on, just because the quilt needed it:

“Between the lady of the lake blocks and the outer border there is a 1/4 inch stripe fabric appliqued on. It kind of needed that definition, though I didn’t want to do it. Once done it was a nice addition.”

Donna admitted that appliquéing that narrow striped border was worth it, and I really admire the effort it took. What an effective addition!

I’ve had a few occasions in my quilting life when the quilt was done, but it just needed a little something more. One of them was “Pekoe and Cut Black”, a quilt I made for a “Tea” challenge. I decided to pull a bunch of white/cream scraps from my stash and dye them in tea. I only used these fabrics in the quilt, including the binding. So the outer edge ended up looking quite bland.

To add definition I couched a piece of variegated yarn in the ditch between the binding and the quilt and I was much happier with the results:

And here’s a detail shot:

Another quilt which benefitted from couching a “piping” along the binding was one I made with my friend Sharon Rotz. We made it for the New Quilts From an Old Favorite challenge at the National Quilt Museum in Paducah. The “Old Favorite” was the monkey wrench pattern and our quilt is entitled: Two Friends Monkeying Around:

It was accepted into the competition, hung in the museum during Quilt Week, and traveled with the exhibit for 2 years before we got it back. At that point Sharon decided to enter it in an art competition. She felt the edge needed a bit of definition and couched black cording along the binding.

This addition framed the quilt well and we took first place! Here’s a detail shot:

I think these “spicing up” additions we’re well worth the effort in each of the above quilts. Have you ever added a little extra zip to a quilt in this way? If so, please send me photos!

Bonus Story

Many of you have heard the story of my Tea quilt, but in case you missed it – enjoy 😊:

I drew a number of swirls originating from a center circle until I found the one that was just right. I then stitched them together using Caryl Bryer Fallert’s applipiecing technique. I quilted each area with a different free-motion quilting pattern, adjusting the design when it hit my pre-marked circle.

This quilt is part of my “Crossings” series where portions of the quilt are made separately and then the pieces are connected back together with beads. It’s a spiritual journey series of quilts in which I feel the beads cross the gap and hold the broken pieces of my quilt together as my faith in Jesus Christ holds the broken pieces of my life together.

In most of the quilts in this series I bead together rectangles or squares. This time I decided to make the entire quilt – quilted, bound and finished. Then I cut the circle out of the center of the quilt, finished both edges with corded piping, and beaded the circle back into the hole it had created with pyramid beads from a broken bracelet. It was quite a gutsy move, but I was pleased with the results.

For some reason I feel like making myself a cup of tea right now 😁.

Wishing you all a blessed Thanksgiving!

Making Diamonds

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I’m making great progress on the king sized quilt for our bed. I posted a few weeks ago about the process for making the string pieced blocks (click here for a link to that post). As soon as all 120 blocks were completed I couldn’t resist laying them out on the floor of my studio. After admiring them for a day I realized I wasn’t able to move in there, so I gathered them all up for the next step: paper removal!

This proved to be much easier than I expected, and I’d like to share the process I came up with. My first discovery was that the blocks I pieced on pages from an old phone book were the easiest foundations to remove. I highly recommend them. But the ones pieced on regular paper weren’t all that difficult either.

I quickly got into a rhythm. Here’s the process:

  1. Begin at a corner and place your thumbnail along the seam at the edge of the paper to protect the stitches from pulling out. With your other hand rip the corner triangle back over the seam quickly.

2. Pull the next foundation piece away from the stitching at one end, place your thumb under it, and run it to the other end, releasing the paper from the seam.

3. Hold the stitches secure with your thumbnail on the next seam and repeat step 1.

I continue removing strips until I reach the center diagonal seam, then I rotate the block and continue from the opposite corner until all the strips are removed.

Once all the blocks have been freed from their foundations, it’s time to sew them together. This quilt is really scrappy, so there’s no reason to overthink the layout – unless it matters to you. (I have friends who would agonize over this – and you know who you are 🤣).

I decided to begin by sewing them together into pairs in the shape of a “V”:

And continued until I had 60 pairs. I then sewed the pairs into rows of 4s, making sure that the ends of each strip remained Vs:

As I sewed these units of 4s into 8s I realized that if I kept sewing these units together in this fashion I wouldn’t get the results I wanted because my plan was to have 20 blocks across. Sewing two 8s into 16s was fine, but sewing two 16s would not give me 20! So I needed to set aside 10 of the above 4 block units before I stitched my 8s into 16s. The saved 4s would then give me the 20 block rows I required.

Notice how the pair of blocks on each end of the 8 block units are still Vs:

The 8s will be sewn into 16s (with Vs on the ends – this may be repetitive, but there’s a reason – read on 😊):

Once the 4 block units were added, it was time to press. As I made the blocks I consistently pressed the seam allowances in the same direction. If you zoom in to the rows below, you’ll notice all the vertical seam allowances are pressed to the right:

By pressing all the V rows alike I am able to flip every other row to create diamonds, and the seam allowances will butt (kiss and hug) when the rows are sewn together. Proper pressing does make the quilt lay flatter.

I am really enjoying this project and am confident I’ll have a new king sized quilt on my bed before year’s end. Stay tuned 😃!

PS In my last post about this quilt Shellie commented with the question “why bother with the paper when piecing these blocks”. Since you may have missed my reply – I thought I’d share it here:

“I’ve made a quilt where I pieced chunks and strips without a foundation, and then cut them into the proper sized squares. I discovered there was a lot of measuring and fussing to achieve the right size and shape. I found that frustrating. So when Lori told me of this technique I wanted to give it a try. I like the way the size and shape are obvious as I piece, and the angle is kept perfectly.”

Remembering Hazel

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Ever since I began quilting in 1987 I’ve been amazed at the great blessing quilting friends are. I have so very many quilting friends and am grateful for each and every one.

There are some people who hold an extra special place in our hearts and in my heart there’s a big place for two wonderful sisters – Evelyn Link and Hazel Robinson.

I’ve known Evelyn most of my quilting life, and she is very dear to me. I’ve posted about our adventures together on quite a few occasions. I don’t quite remember the first time I met Hazel, but we too have been fast friends ever since we met.

It’s with a heavy heart that I’m writing this post to remember dear Hazel who recently passed away. She was never without a smile and just loved to make everyone around her smile too. She was an amazing cook and she, along with her husband Eddie, were truly hosts with the most – the most generosity, kindness and fun that is.

In 2010 Hazel (and Evelyn) invited me to Alaska. She and Eddie lived on the Kenai Peninsula half of the year. These dear ladies arranged to have me teach classes for quite a few quilting groups in the area, and requested that I plan a longer stay so they could show me Alaska. What a wonderful time we had! I stayed in the “apartment” above the garage which consisted of Hazel’s quilting studio, a kitchen, bedroom and bath!

They taught me to eat crab legs with scissors and how to track down moose on a 4 wheeler (that was Eddie’s job 😊). I met many delightful quilters and taught classes in a variety of wonderful settings.

One of them was in a fishing lodge on the Kenai River, and I even got to take a boat ride with Ken, the professional fishing guide who was married to the quilter who owned the lodge. Wonderful people! So many good memories! (to read a post I did about that trip click here!)

Evelyn and Hazel joined our Sew We Go adventure to the quilt show in Sisters, OR in 2015 and that’s where the photo of us at the Stitchin Post above was taken. I was with the sisters in Sisters 😁!

Early on in our fun together I noticed Hazel calling Evelyn Sissie (or Sis E). I was so pleased to be a part of their many adventures and was thrilled when they invited me to be an honorary sister – Sis C! And on that note, if you’ve been following my blog for a while, you’ve heard the story of the Quilt Sissies. That all started with Quiltina, a quilter’s version of “Flat Stanley”. He’s a cardboard cut out schoolkids take/send all over and then write about his adventures. Well, Wendy Rieves and I lead quilting tours in the US and Europe and, prior to our riverboat cruise in France I mentioned to Wendy that we needed a quilterly version of Flat Stanley to accompany us on our travels. Her fruitful imagination created Quiltina, and she’s been traveling with us ever since.

Evelyn accompanied us on that French cruise and won our trip challenge with a prize of, you guessed it, her very own doll which she named Quiltilly. You may be wondering what this has to do with Hazel. Well, once I was made an honorary sissie, and since Evelyn and I each had our own doll, I just had to make one for Hazel. True to her wonderful sense of humor, she named her Quiltzilla!

A few years after the Alaska trip, Evelyn invited me to stay with her and teach in the Phoenix area. She had moved to Tempe after she retired to be close to Hazel, since that’s where she and Eddie lived when they weren’t in Alaska. So the Sissies had another memorable trip together, and I got to meet so many more delightful quilters (click here for a post about that trip). We also saw Chihuly in the Botanical Gardens, a quilt show in Tucson, and a lovely mission.

Where did we end up together next? Evelyn and Hazel stayed with Wendy and me during Quilt Week in Paducah. What fun we had there! It even included lunch at Grace church with a surprise visit by Quiltman and Bobbin (and our dear friend Nancy too).

Hazel was a talented piecer who loved to make large quilts for her family. She was especially good at the intricate Judy Niemeyer patterns. Evelyn recently sent me this photo of the last quilt Hazel made.

I had a different post planned for this week, but couldn’t think of a better way to remember Hazel then on my blog. Thank you for sharing some memories of a dear lady with me. She will be greatly missed!

Love you, Hazel!

Selvedge Colors

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Have you ever really looked at the edges of the fabric you buy before cutting them up and discarding them? I’m sure you have, and if I asked you what was there the most common answer would probably be: the name of the fabric company and the fabric line. Many of you would also mention the “color dots”.

These dots contain each of the hues (colors) used in that fabric and are another great “palette” to use when choosing colors for a quilt (a topic familiar to all who’ve been reading my blog recently). To read a short and informative post about these dots click here!

Some very innovative quilters have actually made quilts from these tightly woven strips, and I’ve always been intrigued by the ones I’ve seen entered in quilt shows. It’s amazing what you can find on the internet. I searched for “making quilts with selvedges” and found oodles of fun sites. Click here for a great video on this topic from Bryan House Quilts.

At the Butterfly Threads Quilting site I discovered a woman who is wonderfully addicted to making selvedge quilts. She’s made them into baskets, spools, log cabins and more. Click here to be inspired!

That being said, I’ve come to realize that one of the purposes of this week’s post is to find out if there is anyone out there who is as totally unobservant as me!!!

While at retreat with my friend Laura a few months back, she was talking about some fabrics she had purchased with creative color dots – wait, what?

My response: “what are you talking about?” She told me she’d send me a photo of some of these selvedges, and here it is (thanks Laura):

What fun! I especially loved the trucks. So I went through some of my more recent purchases and, much to my surprise, found some delightful edges:

Mushrooms on a Timeless Treasures critter print
Winter motifs on two coordinating Christmas flannels by Maywood Studios
The State of Wisconsin on a shop hop fabric by Primitive Gatherings

And my personal favorite – compasses on a colorful map fabric by Timeless Treasures:

I love it! Who knew these were hiding in my stash? Did you?

Will any of you admit to being as surprised as I was to know about these “creative dots”? Please feel free to comment if you dare 🤣.

Do any of you save selvedges? If so, have you made quilts or other projects with them? I’d love to see photographs of them. Please email them to me at .

Choosing a Color Palette From a Photo

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I did a bit of web surfing and found a great site for picking colors out of a photo. It’s called the Image Color Picker and you can find it at https://image-color.com/. This is the image you’ll see when you go to their site:

It was so easy to use. I simply dragged my photo into the box just above the palm tree pic on the site, and it opened up with the color palette already created.

It “chooses” the colors (hues) that appear in the greatest quantity, so black/brown is “dominant”, but just look at the beautiful palette below that. We can easily go to our stash, or our favorite quilt shop, and pick out fabrics in these colors, knowing they will work well together in a quilt. Here’s another one:

Once again – a beautiful collection of hues for a quilt at the bottom. Since the bright “pops” of color in the photo are in smaller quantities, they don’t show up in the palette, but that doesn’t mean a bit of bright orange or yellow can’t be added!

Wouldn’t this make a great palette for your next Christmas quilt?!?

I must admit, I’m having a lot of fun with this site!!!

And here’s a photo Laurie sent me last week, along with it’s palette:

A beautiful collection of colors from just a single leaf!

So, I decided to look through my quilts and do things a bit backwards to give you an idea of how the colors around us could be used in quilts. This first image is of a bunch of leaves I found clustered together on my deck after a rain (isn’t God’s mastery of color amazing?), and the main colors pulled by the color picker site:

This quilt uses fabrics in this palette, plus a few of the brighter colors in the photo to spice things up 😁.

And here’s a palette taken from a tree in my backyard, followed by another of my favorite Autumn quilts:

I don’t really see much of the violet color from the palette in the photo, but it’s ok to leave out what doesn’t work and add a few of the brights.

This is just a tool to get you started. I hope you have some fun with it!

And, since I’ve been sharing photos, I can’t resist a few of Sommer and Trey jumping in the leaves! It’s been a beautiful Autumn and the leaf pile in our yard was huge!

Color in Nature and Quilts

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During “Safer at Home” my granddaughter’s school did a great job of finishing her second grade year online. At that time Daddy and Mommy let her get her first email account, and mine was the only email address she knew, so we communicated daily. She would send me a “Daily Hi” every morning (this was her idea 😊).

One day she had to gather items of different colors for art class, and send a photo back to the teacher. She sent it to me too:

I responded “Wow, what a great color wheel. Were you supposed to make a color wheel?” She said she was only supposed to pick out objects in all the colors. After she gathered all the pieces Mommy helped her to put it into a color wheel (Betsy is a graphic designer and she’s inspiring a love of art in her kids).

This got me to thinking about all of the amazing colors around us and how they can inspire us in our quilting. I tried to get out for a walk every day during that time and snapped a few pics of the colors of early Spring. I certainly needed a bit of brightness to get through that difficult time!

I recently went through some of my Summer photographs and found a few that inspired me with their colors:

Wild lilies on the edge of our pond (taken from the canoe)
This is my parent’s cottage on Lake Sinissippi. Don’t you just love the red pump and the sun dappled grass?

And now Autumn is in full swing. This is by far my favorite season, and I once read a meme that stated “Autumn is my favorite color”. I agree!

I think what intrigues me the most about these photos is how the colors are so wonderful together – especially in nature. God certainly knows what hues play well with each other! In fact, I recently took this photo

and it reminded me of a quilt I made using these colors a few years ago:

I call it Interchange, and it was made for a “Color Wheel Opposites” challenge. I wanted to see what would happen if I took two opposing colors on the color wheel and laid out squares of the “raspberry” that went from dark at the top to light at the bottom, with squares of “yellow green” that went from dark at the bottom to light at the top. I also challenged myself to only use fabric from my stash. It’s finished with a facing because I thought a border would detract from the intent of the piece, and it’s quilted with “wheels” of intricate stitches. These opposing colors certainly are beautiful together – in nature and fabric 😃!

So how does one translate the colors in a photograph to fabrics in a quilt? Well, join me in next week’s post and I’ll share a few ideas!

If you’ve made a quilt inspired by colors in a picture – please email me photos – I’d love to see how you were inspired!

String Pieced Diamonds

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As promised, I’ve put together some step-by-step instructions for anyone interested in how my most recent project is made.

Full credit goes to my friend Lori Schloesser for this fun pattern. Besides loving the look, it solved one of my scrap dilemmas. Whenever I complete a project, all of the leftover strips and chunks usually end up in a pile because they don’t fit easily into my “neatly” arranged fabric storage. Typically, I eventually try to fold these pieces, according to color, and wedge them in between yardage in the stash. I think of them as “blobs”. With time this proves to be a cluttered, tippy disaster.

For this project I wanted to use a majority of greens, with a good amount of browns. So I pulled all of those awkward “blobs” out of those color areas in the stash. They are gone from it now and I saw an improvement in my fabric carts immediately (and my greens were far messier than the color cart above)!

I also grabbed a few “blobs” from other color areas in my stash that had green in them. Some were mainly red, some orange, some purple, etc. These added contrast and interest to the blocks.

I cut all the “blobs” into strips in a variety of widths, in 1/8″ increments, ranging from 7/8″ to 1 5/8″. The pieces that couldn’t be made into strips of at least 6″ lengths were put in a basket to be used as “corner fillers” (we’ll get to that later).

Then I dug into my fish bowls of scraps/strips for additional pieces that fit my color scheme or would add some pizazz.

Once the strips were cut I put the long ones in a grocery sack on the floor, and anything less than 14″ long went on the table.

The paper bag to the left is where I toss the remainder of a strip after I’ve sewn it onto one of my rectangles.

Next I cut paper foundations at the finished size of my blocks – 5″ x 10″. I began by using up the scrap paper next to my computer and when that ran out I grabbed an old phone book. My king quilt will require 210 blocks.

Each paper pattern needed to have a diagonal line drawn on it and, to make the design come out right, half of them need to go upper left to lower right, and the other half upper right to lower left (reversals)!

To begin a block I reach into the bag full of strips and pull out two without looking 😊, place them right sides together – aligning the right edge, and lay this edge against the diagonal line; leaving at least 1/4″ excess hanging off the paper at the beginning and end of the seam to assure a proper seam allowance.

I like to chain piece about 20 blocks at a time in this way, cut them apart, and press the strips over with a dry iron.

Then I grab a new strip out of the bag and add it to each block, trimming the excess away and tossing the leftover strip in the empty grocery sack, unless the cut-away is less than 14″, then it goes on the table for later use.

Notice how the ends of the strips extend beyond the edge of the paper when pressed flat. Adding the seam allowance in this way is essential.

I continue in this manner until there is a small triangle left to be filled on each side of the strips. This is when I grab the non-strip pieces and “sew and flip” them in place to fill the corners. Sometimes the corner is small enough that one of the wider strips will work, but most often I need to use a chunk from the basket.

When the paper is covered and pressed, I turn the block to the paper side:

and trim the blocks 1/4″ away from the pattern:

rotating the block to square up the other corner. With seam allowance these blocks measure 5 1/2″ x 10 1/2″. And voila – a block is done!

All the trimmings don’t go to waste either.

I use them to fill old pillowcases found at resale shops, sew them shut, and donate them to our local humane society for use as cat beds.

I am actually using up these frustrating leftovers, and I find making the blocks quite addictive. When the blocks are all made, and it’s time to put the top together, I’ll share that part of the journey with you too!